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Leaving Biosphere 2

by Personnel

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1.
Intro 01:10
2.
Lie Low 03:37
Turn your torch down, when you come around You ask the question but the question blinds You come in bright, after daylight and overpower what you’ve come to find Lie low with me now You feel what’s coming when you’re closer to the ground Low, ‘til you’ve found where you’re tied up, where you’re heading, where you’re bound Let your ears guide, let your eyes wide Hear the steps you left upon the track What do they ask about? If you shout out your only answer is your echo back Lie low with me here and pick the moment when it’s right to reappear When you have found how to find it out maybe you could show me how With you I still have time With you I’ve not resigned With you by my side I could do With you I have some sign that I still haven’t yet resigned I haven’t yet resigned with you
3.
Passing Car 04:07
A crane slams, a door bangs Birds take flight and Echo through the park A rose bud, a phone buzz Blossom falls The sound of heaven from a passing car Above are the glass-wall, castles looking out But there’ll be no looking in Down from the road signs, white lines connect the wind tunnels to every ATM The anti-social housing plans The filled in underpass There on the hoarding, warnings Of what it will be like Shown in photographs Passing car Echo through the park (repeat) In the deepless, seemness a hair-line runs and weeds are growing wild From the train wind, weeds bend Buddleias nod like they’re listening to a child The front row windows are driverless straight through Silvertown On the pavement, maybe Someone passes by and stops, as if to turn around
4.
I passed that chestnut tree each other day but didn’t see until they tried to take it away: It stands more sure than we all could ever be and we’ve become grounded by its certainty That place you go to play, out of the way whose branches stretch to catch spirits as they’re drifting by That place to smoke at night; that place to realise: This tree sees wider than human eyes Ages ‘round the tree have come and gone it’s seen them all pass as it has carried on It’s blatant now to all the boys and girls: The tree is what links us to the many worlds So when the men come around to tear it down will you give them the tree that links us with our many time? They’ll put up barricades, pull down the bars they’ve made Don’t try to reason with a money mind! The law The fight The tree The green The post The past The site The gall! The line The home The road The time The right To roam To hear The call! Guard the slower time and older lines that mesh to make the net that’s held up to the spirit sky Guard the anchor holding, the strange attractor calling Guard the many worlds and many time It’s blatant now to all the boys and girls The tree’s what links us to the many worlds Guard the slower time the net held in the spirit sky Guard the anchor holding the many worlds and many time It’s blatant now to all the boys and girls The tree’s what links us to the many worlds...
5.
Steal me from reason and out the back we’ll slip with the rules of romance Isn’t it indecent to plan each single step and know the outcome in advance? A die and die roll into dice together Let’s you and I try to play nice together and fall from the hand of chance to the rules of this romance Isn’t it more pleasing to cut the deck and submit to the rules of romance? This late in the season I for one would admit to a certain sign’s significance A kiss like this might happen just one night while a kiss like this could last all my life while we fall from the hand of chance and we kiss as the dice still dance and we fall from the hand of chance to the rules of this romance
6.
One by One 03:36
I sat upon a buttercup and sang among the weeds He plucked me from that sunny spot and took me off to keep He didn’t trust me with my tongue, He tweezered out my sting Silence rang when asked for song Without it I can’t sing He gave me keys high in my cage but first he clipped my wings He asked for magic everyday, mistook it for a thing Where once we moved in countless droves he has us all bar none Now we are all allowed to rove but only one by one
7.
Your ass could see the outline of the angel: A feather and a whisper and a knife edge But you didn’t see the angel that was standing in your way You didn’t trust your ass, only your head Well I’m that angel, Balaam! heed your ass! I won’t let you travel you can’t pass! Not ‘til you see What your mule sees What you’re missing are you going to listen?! You didn’t heed the warning you were given I glittered like a hook held above you You didn’t think an animal could teach you how to see that dumb beasts were only here to serve you Well I’m that beast of burden brought to song! I lay down to show you what was wrong Now can you feel What your ass feels? What you’re missing boy you’re going to listen! Believe your ass, Balaam! And your eyes will see Free your ass, Balaam! And you’ll be free
8.
Sitting aimlessly, I saw a lady green and lilac as the heather She said, “I am the queen of the underneath, I have no place in heaven But I’m out to visit, to look for you if you follow me, you’ll see what I can do I’m awfully busy, I must go soon But if you allow me, I’ll take you too Step up start the to and froing Take my hand and we’ll get going The wind will take us where it’s blowing Come on let’s sway For seven years below the flowers I will teach you all my powers Years will pass as if they’re hours Let’s get away When you return from me they’ll think that you have been dreaming this ordeal They’ll call it make believe cos they don’t see a dream made all that’s real They know so surely what’s real and not I know when I'm dancing all the world’s made up Is our time finite or infinite? I know when I’m dancing time is definite Step up start the to and froing Take my hand and we’ll be going The wind will take us where it’s blowing Come on let’s sway For seven years below the flowers I will teach you all my powers Years will pass as if they’re hours Let’s get away”
9.

about

Soundtrack to Holly White's computer game 'Leaving Biosphere 2.'

credits

released October 10, 2021

All songs written, performed and produced by Personnel
Mixed with Josh GT
All songs mastered by Queer Ear Mastering, except 'Free your Ass, Balaam!' - mastered by Rupert Clervaux
Album cover by Holly White

Thanks so much to Holly White, Josh GT, Luki and Ed Webb-Ingall

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about

Personnel London, UK

Personnel is a song writing studio started by Robbie Defacto in 2020.

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